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by Loosebot

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somesim 04:11
ensemble 10:17
session 03:10
further 03:32
bcakform 04:15
formasng 04:22


6 stations for the ear, 30 minutes for the software.

A reflection of form and exploration of structure as a landscape of microscopic units that form continuous sound. The context for "prechange" is post-digital in a sense that ambivalence between analogue and digital has been transcended, therefore a feeling of 'analogueness' withing digitaly created sound is only incidental and fictional. Still nothing is locked. Now, sliders, parameters and connections move by themselves, creating auto-dynamics, a non-repeatable mechanic pattern. From unintended use of tools - software - previously unknown condition emerges: a sound-biotope, audial climate that constantly changes, pushed about by interfaces and synthesis algorhytms created by sofwtare developer and abuses by never less curious laptop composer. The enigmatic situation explodes when she merges with programmer and reverse engineer.

Prechange is a condition before the change and a fundamental change before the emergent condition.



released December 27, 2002

All synthesis by Loosebot (Luka Prinčič) at beebleblab mobile studio.




Luka Prinčič Ljubljana, Slovenia

Luka Prinčič is a computer musician, composer and media artist, traversing creative territories from deviant funk to sonic and time-based arts experiments. Founder of Kamizdat boutique CC netlabel.

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